Liturgical atmosphere
Liturgical atmosphere
Liturgical
atmosphere is a subject of concern relating to the perception of a
place and time as being set aside for something sacred, a moment and
location of absolute reality wherein we can have direct contact with
the Devine. We will, in this essay, be exploring the basic concepts and
techniques for establishing and maintaining appropriate liturgical
atmosphere. The student will examine how to better assist people in
reaching a spiritually focused state of mind and perception in which
the people can more easily experience the act of worship as a dynamic
spiritual event. Perception of time and space as
sacred or set aside is the primary principle on which liturgical
atmosphere management rests. Though our theology teaches us that the
Devine is constantly present and pervades all that exists we still
recognize that a specific time and space may be set aside and made
different for the purpose of direct communication with the Devine
through worship. It is true that an act of worship or contacting the
sacred can take place at any moment and anywhere, that moment of direct
contact can be an intentional act of the person involved or it can be a
spontaneous spiritual experience. Though we recognize the truth in the
preceding statement, we also recognize the truth that the perception of
the designated time and place as special or set aside is important as
are techniques for assisting people in reaching that state of
perception, especially where scheduled group spiritual activities are
concerned. As spiritual leaders the Druidh assist people in moving to a
state of mind where the moment and location are perceived as being
especially sacred or dedicated to a sacred function. Awareness of any particular
place or time as having been designated for spiritual as opposed to
secular purposes is important to establishing a frame of mind oriented
toward the sacred. When the participant shows up at a designated place
for a scheduled rite of worship, he or she has already begun to take
the first mental steps toward the desired state of awareness. By simply
being aware that any given point-event is intended as a sacred or
spiritual exercise, state of mind is altered. This means that at
anytime and anywhere a rite of worship or spiritual activity can take
place with the mental changes being facilitated simply by the
participants deciding to engage in the act of worship. No other detail
or accoutrement is required for a rite of worship though many things
may be employed to assist in creating an atmosphere conducive to any
rite. Introduction of otherness to the
ritual surroundings helps to change the way in which that place is
perceived by altering the environment so that it is not seen or felt to
be usual or normal. An environment may be altered through sights,
sounds, smells, symbols, accoutrements and actions in order to enhance
the atmosphere of otherness. A living room can become a temple simply
by moving the furniture, lowering the light level, lighting a candle
and incense placing sacred items and an altar in the room, hanging a
tapestry and putting on some background music. A permanent ritual site
may be established and maintained by adding statues, standing stones or
poles, a hearth, a permanent altar and dedicating it only for sacred
uses. Music, chanting and incense are all easy and effective methods
that can be employed to bring in perceptions of otherness. Designated
sacred furniture or equipment can serve as a catalyst to push
participants into the proper state of mind. A particular set of items
dedicated to sacred uses and restricted from secular uses can become a
constant presence in ritual after ritual and so become closely
associated with spiritual activities in the minds of the participants.
Special items only seen, touched or used during rites or in the context
of worship take on a special exclusivity which can aid in the entering
of the desired mental state by the participants. Ceremonial clothing
is another area where we can influence the perception of a point-event
as sacred. Participants may be asked to wear special clothing or the
officiating Clergy may wear special clothing. By assuming ritual attire
the person assumes a ritual state of mind and signals to others that
this special state of mind has been assumed. Liturgical
atmosphere may be carefully planned according to the needs of the group
and the rite. Some rites call for a somber, quiet or contemplative
atmosphere while other rites are happy energetic celebrations. Some
groups wish to have minimal extras at rites while other groups revel in
props and items. Some rites are designed to change in atmosphere at a
particular point and so music and lighting may be changed to suit the
new direction. It is important for the officiant of a rite to know what
atmosphere is called for during a rite or during the various sections
of a rite. There
will always be some who decry anything other than plain speech, plain
surroundings and simple acts of worship that involve only the person or
group worshiping and that being worshipped. People who feel that ritual
things, smells and sounds actually detract from the focus of worship.
Certainly there is a beauty to be found in an intense but focused
simplicity. But, just as assuredly there will always be those who feel
that ritual sights, sounds and smells enhance the spiritual experience.
People who feel the more the better when it comes to enhancing the
experience through the use of props and environmental manipulation.
Beauty is also to be found in the depths of a rite that immerses the
participant in a multilayered ritual environment. The
host, celebrant or officiant of a rite should strive to be aware of the
needs of the participants and decide based on that awareness exactly
what kinds of effort should go into creating a liturgical atmosphere.
What do the participants want and how are they spiritually fed and
supported? The five gates of knowledge are the five senses and each
sense should be considered when designing a rite of worship. How may
the five senses be engaged to contribute to a ceremony? How may we
assist participants in feeling the otherness or sacredness of this
particular time and space? We
have seen that the desires and needs of people concerning liturgical
atmosphere can vary from the simple to the complex and that a skilled
Drui or Bandrui meets these needs and desires when designing a rite of
worship. The goal of liturgical atmosphere is to enhance the experience
of a rite of worship by helping the participants to become more aware
of the time and space as being other or set aside for sacred purposes.
Many things may contribute to the creation of an effective liturgical
atmosphere by communicating on multiple levels and through multiple
senses. With conscious practice, skill grows and the liturgist becomes
better at his or here art. Liturgical atmosphere is an important area
in the art of the liturgist. |
|